I’ve always been a creator — long before I called myself one.
It started in my childhood bedroom, where I'd spend hours building LEGO scenes just so I could film stop-motion stories with them. Then came the Thomas the Train episodes I’d write, shoot, and voice myself — using whatever tools I had to bring my imagination to life. Looking back, it wasn’t about perfection or production value — it was about that feeling of creating something from nothing.
As a teenager, I jumped headfirst into the world of YouTube. I started editing gaming videos, learning how to cut, pace, and build rhythm without even realizing it. It was all instinct — and while the world may not have seen those early videos, they were the training ground that shaped my creative voice.
But like most people, I got caught up in what I thought I should be doing.
I left creativity on the shelf.
I focused on education, did the safe thing. But that creative spark never really left — it just went quiet.
I left creativity on the shelf.
I focused on education, did the safe thing. But that creative spark never really left — it just went quiet.
So I made a choice.
I enrolled in film school to finally give this dream the attention it deserved. I wanted to learn the language of filmmaking, but more than anything, I wanted to learn how to tell real stories — the kind that don’t need a big set or massive budget, just a truth worth sharing.
After graduation, I felt something shift.
The walls of a studio didn’t feel like home.
The world did.
The walls of a studio didn’t feel like home.
The world did.
I packed my gear, bought a one-way ticket, and started filming life the way I saw it — raw, cinematic, emotional. From local shoots to personal passion projects across Thailand, Bali, and beyond, I committed to building a creative life on my own terms.
These days, I create from a place that’s honest. I’m not interested in chasing trends or playing the algorithm. I’ve grown out of making things just to be seen.
Now, everything I create — whether it’s a short-form film, a brand reel, or a personal piece — is built around storytelling that connects. I work solo, shoot everything myself, and edit with intention. This gives me full creative control and allows me to stay true to what I believe in: visuals that feel grounded, emotional, and real.
For me, the goal has never been to look impressive. It’s to make people feel something. I don’t work with just any brand — I work with those who care about more than reach. The ones who want to tell stories with meaning.
Because at the core of it all, I believe storytelling can connect people who feel like they’re doing it all alone. And that’s what I want my work to do — not just look good, but leave something behind.
Over the years, filmmaking has grown from a passion into something far deeper. It’s not just what I do — it’s who I am. If I go more than a few days without picking up a camera, something feels off. Like I’ve stepped out of rhythm with myself. It’s not about the content or the views. It’s about that creative flow — seeing the world in frames, in movement, in light. That’s how I’ve learned to process life. Through the lens.
My skill set has been built from the ground up. I’ve shot handheld in chaotic environments, dialed in cinematic shots with intention, and captured smooth, story-driven visuals across both studio and travel settings. I understand composition, pacing, movement — not just from theory, but from living it day after day.
Editing is where I bring it all together. It's more than stitching clips — it’s storytelling through rhythm, tone, and emotion. I work in Premiere Pro, and I know how to pace a cut to hit exactly where it needs to. I treat editing like painting — intuitive and experimental, but always with direction.
On top of that, I bring motion graphics and VFX into my workflow to add depth and style when the story calls for it. I can create a fair share of special effects — from subtle graphic flourishes to more complex, high-impact visuals that enhance the moment without overwhelming it. I use them to support the story, not distract from it.
I’m also a skilled drone operator and FPV pilot, flying both traditional and cinewhoop-style drones to add movement and scale to my visuals. Aerial shots are more than just eye candy to me — they’re a tool to elevate emotion, build tension, or open up a world.
All of these skills — camera work, editing, sound design, FPV, and visual effects — they’re not separate. They’ve become an extension of how I express myself. I’ve worked hard to be a one-man crew without sacrificing quality, and that independence allows me to move fast, stay creative, and stay true to what I want to say.
Filmmaking isn’t a job for me — it’s how I exist. How I grow. How I stay grounded. Without it, I’m not myself.
